" Majestic and in straight alignment stand up the Skyscrapers in Manhattans pale blue sky , provided with many images and screens , full of windows and faces , as if beeing living organisms. Walking paths stretch out along halfway up between road and sky, where we stroll happily , which is known  so far in this city only from the High Line . In the mild spring haze are drifting faces and stories , friendly spirits and destinies. On the Green City Way walk single passer-by. Right and left are periodically trees that also form facades , bright living organisms in which people move floating. Over this avenue the branches close equal the tracery of a Gothic cathedral, however allow light and wind to pass . " Bags and acrylic on canvas ,"as Thitz describes the physical structure of his paintings. Material collages were that so far and are it in a certain sense still, descriptive, seizable, direct certifications of a world steaming from vitality."Who really wants to paint big cities may not try to paint a well thought out city , but must try to paint the perceived experience  itself , with all the noise , dust and smells.Into one second city fits infinitely much information - I mean this city, those are my internal pictures “postulated Thitz once. It is alive as ever in Thitz cities, but now the air seems cleaner, the noise level is moderate and the risk of color - raid by cheerful bullies behind the next corner has subsided. Instead of hypertrophic representations of real existing urban chaos creates Thitz now counter fantasies. 

Urban utopias are what 's happening right now , visions of a serene life in the now and in the future. Utopias require to look forward, but also back in history , because there you will find successful ways of life. Like a mirage rises the silhouette of Santa Maria della Salute on over the Grand Canal . The light has always been in the Venetian architecture of paramount importance . Congenial Thitz takes the ideas of the architect Baldassare Longhena on , it multiplies to own ingredients and revives them. On the calm waters of the lagoon drive bags as philosophical comments . His numerous collectors and fans have always been grateful to the artists for the art that he picked up the heavy weights , with the generations of art historians and serious performers they complained . For the fact that he returned them the privilege of interpretation , that his works do not require frowning Policy. The respect , reference is made to its natural limits , the eyes open , thinking works accessible. Thitz came in 1962 to the world. To study the painting, he went in 1983 at the State Academy of Fine Arts in Stuttgart to Professor Sonderborg . In 1985 he created his first bag of images , and in 1989 it was in Stuttgart for the diploma . In 1989, Thitz a master degree under Professor at the Facultad de Bellas Pijuan Artes of the Universidad de Barcelona . Spain's national colors encouraged the artist red-yellow in his preference for the color combination. 1993 invited the International Society of Fine Arts Thitz to cooperation. In 1994 he received a grant from the Association of Visual Artists Württemberg and 1996 a scholarship from the " Centre of Contemporary Art Piramidon " . Works of the artist are in numerous public and private collections around the world. " Jörk Rothamel 2014
 Thitz latest works were be traditionally seen again in Hall 3 directly on the transition J on the front side of the stand 32 .

13 works were sold 9 of them at the opening day !  That was the high score so far ; )

Image: Green City way, Acryl,Tüten auf Leinwand, 180 x 140 cm , 2014 (verkauft)